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Types of kintsugi repair, from a hairline crack to a missing piece

Short answer

The types of kintsugi are named by the finish and the filling: gold, gintsugi with silver, urushitsugi with no metal, yobitsugi with other ceramics and mokuhen with wood.

Waiting and shortcuts

  • The joined piece rests in a cabinet for one to three weeks2
  • A whole piece can take up to two months21
  • Simple kintsugi exists because lacquer is slow to harden3

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Questions to ask about any repair

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About the break
About the method
About the piece

Not every break is mended the same way. The finish can change, the filling can change, even the missing fragment can come from another pot. This is how the methods differ and how the steps and the waiting fit together.

Editorial team, kintsugikyoto.com · Updated November 6, 2026 · Reading: 7 min

Facts at a glance

  • The finishesGold is the classic; silver is gintsugi; no powder is urushitsugi.1
  • The fragmentA missing piece can be a different pot, or wood.1
  • The waitThe joined piece rests in a cabinet for one to three weeks.2
  • The shortcutA simple kintsugi has emerged because lacquer is slow.3
  • The classOur Gion workshop has you repair a bowl or plate.

Types of kintsugi repair: the finish decides the name

Most of the named types of kintsugi are named by what goes on the repair, not by the break. Japan House London lists several urushi methods: silver powder used as a finish instead of gold is gintsugi, a repair completed only with urushi and no metal powder is urushitsugi, and missing fragments replaced with pieces of different ceramics or of wood are yobitsugi and mokuhen.1

Gold stays the default. JNTO says that, once each layer has hardened, the final lacquer layer is coated with pure gold powder, or in some cases brass or silver powder.4 So a plate with a pale metallic seam may be silver or brass, and only a conversation with whoever mended it will say which. Ask before you assume the gold is gold, and ask again if the price seems to promise it.

Some terms describe older fixes that are not kintsugi at all. Web Japan names kasugaidome, in which broken fragments are held together with thick metal staples, and yakitsugi, in which pieces are fused back together using lead glass.5,6 Seeing a staple on a bowl does not mean a bad kintsugi job; it means a different repair tradition.

Name by name

The repair types and what sets them apart

TypeWhat changesMetalLook
KintsugiClassic urushi repairGold powderGold seam
GintsugiSilver finishSilver powderPale seam
UrushitsugiNo metal powderNoneLacquer color only
YobitsugiFragments of other ceramicsGold or silverPatchwork
MokuhenWooden fragmentsGold or silverWood and ceramic
Simple kintsugiCraft glue and paintPaintFast, decorative

Names and finishes from Japan House London; the simple method comes from Web Japan.1,14

A crack: the plain join

A single crack is the simplest case, and it shows the whole sequence. Broken edges are cleaned and filed before being pieced together with the adhesive, which is ki-urushi mixed with wheat flour or rice paste.7,8 The join has to be tight, because the lacquer is a glue and not a filler, and a gap left here will show later as a wide, uneven line under the gold.

Then comes the wait. The object goes into a wooden drying cabinet, the muro, for one to three weeks, at a warm temperature and humidity, so that the urushi hardens by absorbing oxygen and moisture from the air.2 LACMA's conservators use the same principle in a sealed box with a damp cotton towel in it.11

Last, the seam is dressed. Excess urushi is scraped off and sanded down, a coat of urushi goes along the seams, gold powder is sprinkled on top, and the dry finish is sealed with raw urushi and polished.10 The result is the thin golden river that most people picture when they hear the word kintsugi, and it is the part of the craft a beginner can reasonably expect to learn.

The waiting

How long the lacquer needs, in weeks

  • Cabinet, about1
  • Final set at LACMA1
  • Cabinet, up to3

The cabinet range comes from Japan House London; the one-week figures come from a Fukui workshop and from LACMA.2,12,13

A chip: building the missing edge

A chipped rim or foot has lost material, so the repair has to make some. The space left by chips or missing fragments is filled with an urushi putty made with fine sawdust or abrasive clay powder.9 Web Japan describes the same step in its summary of the craft, filling the cracked or chipped parts with a putty of urushi mixed with sawdust or powdered stone.16

The filling is where skill shows. LACMA's conservator says it is hard to teach because it takes practice to see and feel when a fill is correct, and that there is some trial and error in the learning process.17 A fill that is too high or too rough will be obvious once the gold sits on top of it, because gold is a mirror for every ridge beneath it.

Once the putty sets, it is scraped and sanded back, then dressed like a crack.10 The chip becomes a small gold-edged patch rather than a hidden repair, and that is the point of the craft: Japan House London says it highlights fractures to tell an object's story rather than masking them.1 Expect a chip to take longer than a clean break, because the filler needs its own curing.

Which repair

Pick the repair that fits the piece

Start from the break, then pick the finish.

  • If One clean crack in a plate

    A plain join

    This is the case the standard steps are built for.7

  • If A chipped rim I want gold on

    Putty and gold

    Chips are filled with urushi putty before the finish.9

  • If I prefer a silver, cooler look

    Gintsugi

    Silver powder is used as a finish instead of gold.1

  • If A piece is missing for good

    Yobitsugi or mokuhen

    The gap is filled with other ceramic or with wood.1

  • If I only have one afternoon

    Simple kintsugi

    It exists because real lacquer is slow to harden.3

Three kinds of break

Crack, chip and missing piece compared

Join and seam

A clean crack

The simplest case

  • FillerNone needed
  • StepsJoin, wait, seam
  • ResultOne thin gold line
Open the Kyoto workshop

Putty and seam

A chipped edge

Material has been lost

  • FillerUrushi putty
  • StepsFill, sand, seam
  • ResultA gold-edged patch
Open the Kyoto workshop

Patch or patchwork

A missing piece

A whole fragment is gone

  • FillerPutty, wood or ceramic
  • StepsShape, fit, seam
  • ResultA visible patch
Open the Kyoto workshop

A missing fragment: urushi, wood or another pot

When a whole piece is gone, there are choices. The putty can be shaped to fill the loss, as with a chip. A maki-e studio quoted by JNTO glues damaged pieces with kokuso-nori, a kokuso urushi glue, lets them dry and polishes them flat, which suits gaps that need real body.18 It is the reason serious repairs are measured in weeks rather than hours.

Or the gap can be filled with something else. Japan House London names yobitsugi, where missing fragments are replaced with pieces of different ceramics, and mokuhen, where they are replaced with wood.1 The result is a patchwork vessel, which is a very different object from the one that broke, and often a more interesting one.

That fits the philosophy. JNTO's luxury guide describes kintsugi as not an attempt to restore an object to its original state but a way of highlighting chips and fractures as a record of its history.19 If you bring a bowl with a missing piece, decide beforehand whether you want it to look whole again or to carry the loss on purpose.

A repair in order

From broken edge to polished seam

  1. Prepare

    Clean and file the edges

    Broken edges are cleaned and filed first.7

  2. Join

    Glue with urushi

    The adhesive is ki-urushi with wheat flour or rice paste.8

  3. Wait

    Cabinet for one to three weeks

    Warmth and humidity let the urushi harden.2

  4. Fill

    Putty for chips and gaps

    The putty uses fine sawdust or clay powder.9

  5. Dress

    Scrape, sand, seam

    Excess urushi is scraped off and sanded down.10

  6. Finish

    Powder, seal, polish

    Gold powder goes on, then a seal and a polish.10

How does kintsugi work, step by step

How does kintsugi work in practice? The steps are the same across the types, only the filling and the finish change. LACMA's conservator describes a fresh urushi layer being set a little in a humidification chamber, a sealed box with a damp cotton towel in it, before metal powder is tapped on while the urushi is not yet fully set.11

After the powder goes on, it takes another week in the chamber for the urushi to set completely.13 Burnishing then lines up the metal particles and gives the gold its gloss.20 A Fukui lacquer workshop describes the cabinet stay as about a week until the lacquer sets, with several weeks or longer for a whole repair depending on the complexity.12,21

Web Japan sets the ceiling at up to two months to complete a piece, because the urushi takes time to dry.22 That is the number to keep in mind when a class says you will finish a bowl in an afternoon. Either the steps were prepared, or the materials were quicker than classical urushi. Neither is wrong, but you deserve to know which one you are paying for.

Video

Kintsugi, the Japanese art of repair

ABC Australia on YouTube · Video data is requested only when you tap play.

After the pottery pieces are glued, gold powder is sprinkled or dabbed onto the cracks in the pottery.
Web Japan (Ministry of Foreign Affairs of Japan)15

Quick and simple versions of the same idea

Speed has produced its own types. The Japan Up Close site describes a newer technique, simple kintsugi, which came about because kintsugi is slow work and the lacquer needs certain conditions to harden.3 Web Japan describes it as a water-resistant craft glue that can be safely used on tableware, with the join traced over in acrylic ceramic paint.14

Some craftsmen stay with real urushi but change the binder: JNTO says they shorten the drying time and the expense with synthetic epoxy and lacquer made of cashew shells.23 These are honest shortcuts when labeled as such, and they explain why two repairs that look alike can be very different in cost and in how they behave afterwards.

Teaching has its shortcuts too, and that is fine. A Japan House London workshop included some so that beginners could complete a finished product, as an accessible introduction to the principles and techniques.24 When you compare Kyoto classes, ask which family the class belongs to, because the price and the length usually follow from the answer.

How to kintsugi repair a piece of your own

How to kintsugi repair a piece you love depends on what the piece is. A modern plate with one clean break is a fair first project, and a cheap one to practice on. An heirloom with a missing fragment is a job for a professional and not for a first lesson, since a LACMA conservator puts mastery of kintsugi at a lifetime.25

Kits exist. Web Japan notes that the tools and materials are often sold together as kintsugi sets, and that in-depth videos make it easy to have a go.26 JNTO, though, says the best way to understand a complex craft is to try it hands-on with a seasoned practitioner.27 That is the case for a class before a kit.

Our Gion workshop is one such class. The Viator record says you repair a ceramic bowl or plate using traditional urushi lacquer and gold powder, cleaning the cracks, joining the pieces, applying gold and finishing the piece to take home. It is a way to meet the steps on this page in 90 minutes, from $18 per person.

FAQ

Fast, clear answers, short.

What are the main kinds of repair?
Gold, silver, urushi only, patchwork.

Gintsugi uses silver, urushitsugi no metal, yobitsugi other ceramics and mokuhen wood.1

How is a missing piece filled?
With putty, wood or another pot.

Putty is urushi with sawdust or clay powder; fragments can come from other vessels.9,1

How long does the wait last?
One to three weeks in a cabinet.

The muro keeps a warm, humid space so urushi hardens by absorbing moisture.2

Can a whole repair take months?
It can take up to two months.

The urushi takes time to dry, according to Web Japan, so a classical repair cannot be hurried.22

What is simple kintsugi?
A faster method.

It emerged because kintsugi is time consuming and lacquer needs set conditions.3

Is a staple repair kintsugi?
No, it is an older technique.

Kasugaidome holds fragments with thick metal staples, and kintsugi came after it.5

Can I try a repair in Kyoto?
Yes, in a 90-minute class.

You repair a ceramic bowl or plate in Gion and take it home.

Sources

  1. Japan House London (Japan's government overseas initiative) · Kintsugi: Japanese Repair Technique ↩
  2. Japan House London (Japan's government overseas initiative) · Kintsugi: Japanese Repair Technique ↩
  3. Web Japan (Ministry of Foreign Affairs of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi ↩
  4. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  5. Web Japan (Ministry of Foreign Affairs of Japan) · Kintsugi: Creating New Value From Broken Items ↩
  6. Web Japan (Ministry of Foreign Affairs of Japan) · Kintsugi: Creating New Value From Broken Items ↩
  7. Japan House London (Japan's government overseas initiative) · Kintsugi: Japanese Repair Technique ↩
  8. Japan House London (Japan's government overseas initiative) · Kintsugi: Japanese Repair Technique ↩
  9. Japan House London (Japan's government overseas initiative) · Kintsugi: Japanese Repair Technique ↩
  10. Japan House London (Japan's government overseas initiative) · Kintsugi: Japanese Repair Technique ↩
  11. Los Angeles County Museum of Art · Repair and Recycle: Practicing Kintsugi with Conservators ↩
  12. Japan National Tourism Organization · Mottainai: Japan's Culture of Mindful Consumption and Reducing Waste ↩
  13. Los Angeles County Museum of Art · Repair and Recycle: Practicing Kintsugi with Conservators ↩
  14. Web Japan (Ministry of Foreign Affairs of Japan) · Kintsugi: Creating New Value From Broken Items ↩
  15. Web Japan (Ministry of Foreign Affairs of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi
  16. Web Japan (Ministry of Foreign Affairs of Japan) · Kintsugi: Creating New Value From Broken Items ↩
  17. Los Angeles County Museum of Art · Repair and Recycle: Practicing Kintsugi with Conservators ↩
  18. Japan National Tourism Organization · Kintsugi experience and masterclass: Authentic Kintsugi using maki-e techniques ↩
  19. Japan National Tourism Organization · Kintsugi experience and masterclass: Authentic Kintsugi using maki-e techniques ↩
  20. Los Angeles County Museum of Art · Repair and Recycle: Practicing Kintsugi with Conservators ↩
  21. Japan National Tourism Organization · Mottainai: Japan's Culture of Mindful Consumption and Reducing Waste ↩
  22. Web Japan (Ministry of Foreign Affairs of Japan) · Kintsugi: Creating New Value From Broken Items ↩
  23. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  24. Embassy of Japan in the UK · An Introduction to Kintsugi: Workshops with Nishikawa Iku ↩
  25. Los Angeles County Museum of Art · Repair and Recycle: Practicing Kintsugi with Conservators ↩
  26. Web Japan (Ministry of Foreign Affairs of Japan) · Kintsugi: Creating New Value From Broken Items ↩
  27. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩

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